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https://wikivisually.com/wiki/Neoclassical_architecture
1. Neoclassical architecture –
Neoclassical architecture is an architectural style produced by the
neoclassical movement that began in the mid-18th century. In its purest
form, it is a style derived from the architecture of classical
antiquity, the Vitruvian principles. In form, Neoclassical architecture
emphasizes the wall rather than chiaroscuro, Neoclassical architecture
is still designed today, but may be labelled New Classical Architecture
for contemporary buildings. In Central and Eastern Europe, the style is
referred to as Classicism. Many early 19th-century neoclassical
architects were influenced by the drawings and projects of Étienne-Louis
Boullée, the many graphite drawings of Boullée and his students depict
spare geometrical architecture that emulates the eternality of the
universe. There are links between Boullées ideas and Edmund Burkes
conception of the sublime, the baroque style had never truly been to the
English taste. The most popular was the four-volume Vitruvius
Britannicus by Colen Campbell, the book contained architectural prints
of famous British buildings that had been inspired by the great
architects from Vitruvius to Palladio. At first the book featured the
work of Inigo Jones. Palladian architecture became well established in
18th-century Britain, at the forefront of the new school of design was
the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington,
in 1729, he and William Kent, designed Chiswick House. This House was a
reinterpretation of Palladios Villa Capra, but purified of 16th century
elements and this severe lack of ornamentation was to be a feature of
the Palladianism. In 1734 William Kent and Lord Burlington designed one
of Englands finest examples of Palladian architecture with Holkham Hall
in Norfolk, the main block of this house followed Palladios dictates
quite closely, but Palladios low, often detached, wings of farm
buildings were elevated in significance. This classicising vein was also
detectable, to a degree, in the Late Baroque architecture in Paris.
This shift was even visible in Rome at the redesigned façade for S, by
the mid 18th century, the movement broadened to incorporate a greater
range of Classical influences, including those from Ancient Greece. The
shift to neoclassical architecture is conventionally dated to the 1750s,
in France, the movement was propelled by a generation of French art
students trained in Rome, and was influenced by the writings of Johann
Joachim Winckelmann. The style was adopted by progressive circles in
other countries such as Sweden. A second neoclassic wave, more severe,
more studied and more consciously archaeological, is associated with the
height of the Napoleonic Empire, in France, the first phase of
neoclassicism was expressed in the Louis XVI style, and the second in
the styles called Directoire or Empire. The Scottish architect Charles
Cameron created palatial Italianate interiors for the German-born
Catherine II the Great in St. Petersburg, indoors, neoclassicism made a
discovery of the genuine classic interior, inspired by the rediscoveries
at Pompeii and Herculaneum. These had begun in the late 1740s, but only
achieved an audience in the 1760s
2. Lombardy –
Lombardy is one of the twenty administrative regions of Italy, in the
northwest of the country, with an area of 23,844 square kilometres.
Milan, Lombardys capital, is the second-largest city and the largest
metropolitan area in Italy, the word Lombardy comes from Lombard, which
in turn is derived from Late Latin Longobardus, Langobardus, derived
from the Proto-Germanic elements *langaz + *bardaz, equivalent to long
beard. Some sources derive the second element instead from
Proto-Germanic *bardǭ, *barduz, Lombardy referred during the early
Middle Ages to the entire territory of Italy ruled by the Lombards, a
Germanic tribe who conquered much of the Italian peninsula beginning in
the 6th century. During the late Middle Ages, the term shifted meaning
and was used to identify the whole of Northern Italy, with a surface of
23,861 km2, Lombardy is the 4th largest region of Italy. It is bordered
by Switzerland and by the Italian regions of Trentino-Alto
Adige/Südtirol and Veneto, Emilia-Romagna, three distinct natural zones
can be fairly easily distinguished in the Lombardy region, mountains,
hills and plains – the latter being divided in Alta and Bassa.
Inconsistent with the three distinctions above made is the subregion of
Oltrepò Pavese, formed by the Apennine foothills beyond the Po River.
The mighty Po river marks the border of the region for a length of about
210 km. In its progress it receives the waters of the Ticino River, the
other streams which contribute to the great river are, the Olona, the
Lambro, the Adda, the Oglio and the Mincio. The numerous lakes of
Lombardy, all of glacial origin, lie in the northern highlands, from
west to east these are Lake Maggiore, Lake Lugano, Lake Como, Lake Iseo,
Lake Idro, then Lake Garda, the largest in Italy. A minor mountainous
area, the Oltrepò Pavese, lies south of the Po, in the plains,
intensively cultivated for centuries, little of the original environment
remains. The most commons trees are elm, alder, sycamore, poplar,
willow, in the area of the foothills lakes, however, grow olive trees,
cypresses and larches, as well as varieties of subtropical flora such as
magnolias, azaleas, acacias. Numerous species of flora in the Prealpine
area include some kinds of saxifrage, the Lombard garlic, groundsels
bellflowers. The highlands are characterized by the vegetation of the
whole range of the Italian Alps. At a lower levels oak woods or
broadleafed trees grow, on the slopes beech trees grow at the lowest
limits. Shrubs such as rhododendron, dwarf pine and juniper are native
to the summital zone, Lombardy has a wide array of climates, due to
local variances in elevation, proximity to inland water basins, and
large metropolitan areas. In addition, there is a seasonal temperature
variation. A peculiarity of the climate is the thick fog that covers the
plains between October and February. In the Alpine foothills,
characterised by an Oceanic climate, numerous lakes exercise a
mitigating influence, in the hills and mountains, the climate is humid
continental
https://wikivisually.com/wiki/Neoclassical_architecture_in_Milan
3. Neoclassical architecture in Milan –
Neoclassical architecture in Milan encompasses the main artistic
movement from about 1750 to 1850 in this northern Italian city.
Neoclassicism also led to the development of city gates, new squares and
boulevards as well as public gardens. Latterly two churches, San Tomaso
in Terramara and San Carlo al Corso, were completed in Neoclassical
style before the period came to an end in the late 1830s, the Treaty of
Rastatt in 1714, formalized the transfer of Milan from Spanish to
Austrian rule. During the reign of Maria Theresa and Joseph II, the city
led a cultural, the empress and her son, strongly influenced by the
ideals of Enlightenment, played a significant role in the movement of
reform. Thanks to its government and reforms, Milan was open to
developments from Europe. As a result, influential proponents of the new
styles such as Pietro and Alessandro Verri and it was also the seat of
the forward-looking newspaper Il Caffè and of the Accademia dei Pugni.
The reforms covered important areas of interest to the public,
especially the system of land registry. Between 1765 and 1785, Joseph II
reduced the powers of the religious orders, coordinated by the court
architect Giuseppe Piermarini, Neoclassicism became the style of the
citys rebirth. The first public parks were opened while elegant mansions
inspired by the new trend were built in carefully selected areas, some
of Milans most famous institutions such as the Teatro alla Scala, the
Brera cultural centre and the reformed Palatine Schools were created
during this period. In 1796, with Napoleons arrival in Italy, Archduke
Ferdinand of Austria left the city which from 1800 came into the hands
of the French, French domination did not deter Milans cultural
activities. The rapidly growing population included some of the greatest
Italian intellectuals from Melchiorre Gioia to Vincenzo Monti, the
Lombard Institute of Science and Letters was founded and several
newspapers were established in the city. For some time the inhabitants
had drawn up petitions for dismantling the Sforza Castle and by his
decree of 23 June 1800 and this was indeed begun in 1801 but was never
completed. The same year the architect Giovanni Antonio Antolini was
charged with designing a Foro Bonaparte, as a result of its high costs,
the project was however shelved. By decree in 1807, Milan and Venice
were endowed with a Commissione di Ornato with vast powers and it was
made up of the most prominent figures in Milan. The first item to be
discussed was a plan which was drafted the same year. Until 1814, the
development was governed by the plan which can be considered one of the
most modern plans created in Europe. With the return of the Austrians in
1815, the city completed its cultural, commercial and financial
activities made Milan Italys main business centre. Furthermore, thanks
to the completion of many irrigation projects coordinated by the
government, Milanese agriculture was among the most modern and best
developed in Europe
https://en-m-wikipedia-org.translate.goog/wiki/Villa_Fontanelle?_x_tr_sl=en&_x_tr_tl=pt&_x_tr_hl=pt&_x_tr_pto=tc
aqui excluiram o que estava abaixo no wikivisually
4. Villa Fontanelle –
Villa Fontanelle is a villa near Moltrasio on Lake Como, Lombardy,
Italy, about 50 kilometres from Milan. The four-storey yellow-painted
building was built in the first half of the century by the eccentric
Lord Charles Currie. Failing to find a villa for sale, he decided to
create his own, by 1977, when it was bought by the Italian designer
Gianni Versace, it was in a state of abandonment, and the designer set
about restoring it to its former neoclassical glory. The work, completed
in December 1980, included landscaping the three acres of gardens,
which include three cottages, a tennis court, water frontage of some
800m and a private mooring. Versace personally chose hundreds of oil
paintings and with other artworks displayed throughout the interior and
exterior, before Versace’s death celebrities, such as Sir Elton John,
Sting, Diana, Princess of Wales and Madonna, were regular guests at the
property. Since the death of Versace in 1997, however, only American
singer Jennifer Lopez and her husband Chris Judd were known to have
visited, otherwise the property was a largely lifeless temple to Gianni
Versace, and his taste for the adolescent male body
5. Villa Olmo –
Villa Olmo is a neoclassical villa located in the city of Como,
northern Italy. The construction of the villa, which began in 1797, was
commissioned by marquis Innocenzo Odescalchi from Swiss architect Simone
Cantoni, as it was designed to be a summer retreat for the aristocracy,
it was built alongside the lake. The villa was named after an elm tree
planted in the middle of the ornate gardens and it was acquired in 1924
by the municipality of Como and today is open to the public only during
exhibitions, while the lakeside gardens are freely accessible during the
daytime. Media related to Villa Olmo at Wikimedia Commons Villa Olmo -
Alessandro Volta Scientific Association Villa Olmos Lido Villa Olmo
Exhibition Center
https://en-m-wikipedia-org.translate.goog/wiki/Tempio_Voltiano?_x_tr_sl=en&_x_tr_tl=pt&_x_tr_hl=pt&_x_tr_pto=wa
https://it.wikipedia.org/wiki/Tempio_voltiano
6. Tempio Voltiano –
The Tempio Voltiano is a museum in the city of Como, Italy that is
dedicated to Alessandro Volta, a prolific scientist and the inventor of
the electrical battery. Volta was born in Como in 1745, held his first
professorship there until 1779, the neoclassical building was designed
by Federico Frigerio. It was completed in 1927 to celebrate the 100th
anniversary of the scientists death and it hosts a collection of
scientific instruments used by the physicist including his early voltaic
piles. The first floor has a display of his belongings and his awards.
It is one of the most visited museums in town, the temple was featured
on the back of the 10,000 lire banknote, while Voltas portrait was
depicted on the front of the same banknote. Banknotes based on the
Italian lira have since replaced by notes denominated in Euros. In the
nearbies of the Tempio Voltiano, there are the new statue of Daniel
Libeskind named Life Electric, musei Civici di Como - Tempio Voltiano.
The Geek Atlas,128 Places Where Science and Technology Come Alive
Il Tempio Voltiano è un museo nella città di Como, in Italia, dedicato ad Alessandro Volta, prolifico scienziato e inventore della pila elettrica. Volta nacque a Como nel 1745, vi tenne la sua prima cattedra fino al 1779. L'edificio neoclassico fu progettato da Federico Frigerio. Fu completato nel 1927 per celebrare il centenario della morte dello scienziato e ospita una collezione di strumenti scientifici utilizzati dal fisico, tra cui le sue prime pile voltaiche. Il primo piano ospita un'esposizione dei suoi oggetti personali e dei premi ricevuti. È uno dei musei più visitati della città; il Tempio era raffigurato sul retro della banconota da 10.000 lire, mentre il ritratto di Volta era raffigurato sul fronte della stessa banconota. Le banconote basate sulla lira italiana sono state poi sostituite da quelle denominate in euro. Nelle vicinanze del Tempio Voltiano, si trova la nuova statua di Daniel Libeskind intitolata Life Electric, musei Civici di Como - Tempio Voltiano. The Geek Atlas, 128 luoghi dove scienza e tecnologia prendono vita
https://en-m-wikipedia-org.translate.goog/wiki/Villa_Tittoni_Traversi,_Desio?_x_tr_sl=en&_x_tr_tl=pt&_x_tr_hl=pt&_x_tr_pto=tc
https://it.wikipedia.org/wiki/Villa_Cusani_Tittoni_Traversi
7. Villa Tittoni Traversi, Desio –
The Villa Traversi Tittoni, or Villa Cusani Traversi Tittoni is a rural
palace in Desio, northern Italy. An original palace at the site was
built by the aristocratic Cusani family, the structure was rebuilt and
redesigned first in 1776 by Giuseppe Piermarini in a Neoclassical style.
In 1817, the villa was sold to the lawyer Giovanni Traversi, beginning
in 1840, the interiors were refurbished, the palace has extensive
gardens, designed in a free nineteenth century English style. In 1900,
the Villa became property of Tommaso Tittoni, a statesman, after World
War II, the house functioned as a seminary, until, in 1975, it was
acquired by the comune of Desio. The villa now hosts a library and
museum, named after Giuseppe Scalvini, lombardiaBeniCulturali, La Villa
Traversi Tittoni a Desio
7. Villa Traversi Tittoni, o Villa Cusani Traversi Tittoni, è un palazzo rurale a Desio, nel nord Italia. Un palazzo originario sul sito fu costruito dalla famiglia aristocratica Cusani; la struttura fu ricostruita e ridisegnata per la prima volta nel 1776 da Giuseppe Piermarini in stile neoclassico. Nel 1817, la villa fu venduta all'avvocato Giovanni Traversi e, a partire dal 1840, gli interni furono ristrutturati. Il palazzo vanta ampi giardini, progettati in un libero stile inglese ottocentesco. Nel 1900, la villa divenne proprietà di Tommaso Tittoni, uno statista; dopo la Seconda Guerra Mondiale, la casa funse da seminario fino a quando, nel 1975, fu acquisita dal Comune di Desio. La villa ora ospita una biblioteca e un museo, intitolati a Giuseppe Scalvini. LombardiaBeniCulturali, La Villa Traversi Tittoni a Desio
8. Palazzo D'Arco, Mantua –
The Palazzo DArco is a Neoclassical-style palace located on Piazza
Carlo DArco #4 in Mantua, region of Lombardy, Italy. The palace houses
the Museo di Palazzo dArco, which displays the furnishings, the site had
once likely housed a royal palace in the 12th-century. The palace we
see today is a reconstruction around a series of buildings, with a long.
The line ownership to the DArco family, can vaguely be linked to about
1625 when Count Annibale Chieppio, minister of the Duke of Mantua,
bought and expanded the palace. By 1652, the palace had 63 rooms, when
the Chieppio line died without male heirs, the palace passed in 1740 to a
sister, Teresa married to Francesco Alberto d’Arco. Their son, Giovanni
Battista Gherardo d’Arco, commissioned Antonio Colonna in 1783 to
restore it in neoclassical style. The facade has elements that include
the coat of arm of the DArco and Chieppio families, in 1872 the building
was enlarged further by Francesco Antonio dArco, buying by the
neighboring Marquis Dalla Valles palace. The palace was bombed during
World War Two, the museum collections include furniture, ceramic,
paintings and a grand library. The collection of Bazzani paintings
numbers nearly nine canvases, one of the masterpieces in the house is
the frescoed room of Sala dello Zodiaco painted by Renaissance painter
Giovanni Maria Falconetto, in the early 16th century. The library
includes a collection of history, a period kitchen, a large library
https://en.wikipedia.org/wiki/Palazzo_Ghirlanda-Silva
https://wikivisually.com/wiki/Palazzo_Ghirlanda-Silva
9. Palazzo Ghirlanda-Silva –
The Palazzo Ghirlanda-Silva is a patrician building in the old town of
Brugherio, Italy. Built in the first half of the century, it now houses
the public library. It has an area of 1,992 m2, of which 1,407 m2 are
used for services, with the remaining space providing an exhibition
room. In 1778, Gio Batta Scotti sold the property to Gaspare Ghirlanda
Silva of Milan, on 14 December 1872, Carlo Ghirlanda Silva, who had run
up extensive debts, was forced to sell the building. It was sold as two
lots, one of which was bought by the Municipality of Brugherio, and the
other by Paolo Alberti. The Municipality of Brugherio bought the part
with the courtyard and the garden, and Paolo Alberti bought the
remaining buildings, the farm house. Until the end of the 19th century,
the Palazzo Ghirlanda-Silva housed the school, the municipal offices
and, after 1904. In 1960, when services began in Brugherio, the library
was added to the other public services that were already established in
the building. The palace was restored on several occasions in the half
of the 20th century, in 1970, in 1982. Since the last restoration was
completed in 2003, the Palazzo has been used as a library, auditorium,
the building is in the 18th-century Neoclassical style. Its layout is
U-shaped, the main facade faces Via Italia while the walls face a garden
with a twin-columned portico. The portico was once open but is now
closed by a full-length window, outside the garden there is a balcony in
wrought iron. The facade is composed of a main door above which hangs a
massive decorated balcony of 21st century construction. Originally the
site contained a farmhouse and stables, along with a large garden in
back, an extensive tract of cultivated land in front. There is a press
and vats, wine cellars and lofts. Outside the enclosure, facing the
south-west gardens irrigated by the river Gallarana, there is also a
crottino with an icehouse. During the first half of the 19th century the
property extended from Via Unione to Piazza Noseda, the two walls that
currently stand to the south and west of the Palazzo were built only
after the property was sold and divided up in 1872. Villa Fiorita
Biblioteca, la seconda casa dei cittadini, mezzo secolo di storia della
Biblioteca Civica di Brugherio raccontata dai Brugheresi, Brugherio, i
suoi luoghi, la sua storia,225
Palazzo Ghirlanda-Silva è un edificio patrizio nel centro storico di Brugherio, in provincia di Vicenza. Costruito nella prima metà del secolo, oggi ospita la biblioteca pubblica. Ha una superficie di 1.992 m², di cui 1.407 m² adibiti a servizi, mentre il resto è adibito a sala espositiva. Nel 1778 Gio Batta Scotti vendette la proprietà a Gaspare Ghirlanda Silva di Milano; il 14 dicembre 1872 Carlo Ghirlanda Silva, indebitato, fu costretto a vendere l'edificio. Fu venduto in due lotti, uno dei quali fu acquistato dal Comune di Brugherio e l'altro da Paolo Alberti. Il Comune di Brugherio acquistò la parte con il cortile e il giardino, mentre Paolo Alberti acquistò i restanti edifici, ovvero la casa colonica. Fino alla fine del XIX secolo, Palazzo Ghirlanda-Silva ospitò la scuola, gli uffici comunali e, dopo il 1904, la biblioteca. Nel 1960, con l'avvio dei servizi a Brugherio, la biblioteca si aggiunse agli altri servizi pubblici già presenti nell'edificio. Il palazzo fu restaurato a più riprese a metà del XX secolo, nel 1970 e nel 1982. Dall'ultimo restauro, completato nel 2003, il Palazzo è stato adibito a biblioteca e auditorium. L'edificio è in stile neoclassico settecentesco. La sua pianta è a U, con la facciata principale rivolta verso Via Italia e le mura che si affacciano su un giardino con un portico a due colonne. Il portico, un tempo aperto, è ora chiuso da una vetrata a tutta altezza, esternamente. Nel giardino si trova un balcone in ferro battuto. La facciata è composta da un portone d'ingresso sopra il quale è appeso un imponente balcone decorato di costruzione del XXI secolo. In origine il sito conteneva una casa colonica e delle scuderie, insieme a un ampio giardino sul retro e un esteso appezzamento di terreno coltivato sul fronte. Sono presenti un torchio e tini, cantine e solai. All'esterno del recinto, affacciato sui giardini sud-ovest irrigati dal torrente Gallarana, si trova anche un crottino con ghiacciaia. Nella prima metà del XIX secolo la proprietà si estendeva da Via Unione a Piazza Noseda; le due mura che attualmente si trovano a sud e a ovest del Palazzo furono costruite solo dopo la vendita e la frazionamento della proprietà nel 1872. Villa Fiorita Biblioteca, la seconda casa dei cittadini, mezzo secolo di storia della Biblioteca Civica di Brugherio raccontata dai Brugheresi, Brugherio, i suoi luoghi, la sua storia, 225
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Villa Scotti-Cornaglia-Noseda-Bertani, commonly known as Villa Fiorita, is a building in Lombardy, Italy, where the Brugherio Comune's headquarters are housed.
https://wikivisually.com/wiki/Palazzo_Ghirlanda-Silva
https://it.wikipedia.org/wiki/Villa_Fiorita_(Brugherio)
https://wikivisually.com/wiki/Villa_Fiorita%2C_Brugherio
https://it.wikipedia.org/wiki/Giovanni_Filippo_Gallarati_Scotti
c/c https://archive.li/CXNi2
Giovanni Filippo Gallarati Scotti (Milano, 25 febbraio 1747 – Orvieto, 6 ottobre 1819) è stato un cardinale e arcivescovo cattolico italiano.
Biografia
Giovanni Filippo Gallarati Scotti nacque a Milano il 25 febbraio 1747 da una delle principali famiglie del patriziato milanese, figlio di Giovanni Battista Gallarati Scotti e di sua moglie, Maria Teresa Spinola. L'11 settembre 1754 ottenne le insegne clericali.
Dopo aver compiuto gli studi presso l'Università di Pavia ove si laureò in utroque iure nel 1773, ottenne di essere ammesso al Collegio dei Nobili di Milano assieme al fratello Francesco, futuro noto giurista, collaboratore di Cesare Beccaria.
Prima ancora di terminare i propri studi, il 17 febbraio 1770 venne nominato vicelegato in Romagna, ove rimase sino all'aprile del 1776, il 6 febbraio 1769 divenne referendario del tribunale della Segnatura Apostolica, divenendo anche poi relatore presso la Sacra Consulta per gli affari ecclesiastici. Nel 1785 divenne inquisitore generale a Malta.
Ordinato sacerdote il 12 agosto 1792, il 24 settembre di quello stesso anno venne ordinato Arcivescovo alla sede titolare di Side, e consacrato il 17 marzo dell'anno successivo nella Chiesa romana di San Carlo al Corso per mano del Cardinale Luigi Valenti Gonzaga, Prefetto dell'economato della Sacra Consulta a Propaganda Fide, assistito da Carlo Crivelli, Arcivescovo titolare di Patrasso, Prefetto dell'Archivio vaticano, e da Antonio Felice Zondadari, Arcivescovo titolare di Adana e Nunzio Apostolico in Belgio. Ebbe qui inizio la carriera diplomatica di Giovanni Filippo Gallarati Scotti, il quale il 23 agosto 1793 divenne Nunzio Apostolico nel Granducato di Toscana, ove rimase sino al 3 ottobre 1795, per poi essere trasferito dal 18 agosto di quell'anno alla nunziatura presso la Repubblica di Venezia ove rimase sino alla caduta del governo repubblicano nel 1797.
https://wikivisually.com/wiki/Palazzo_Ghirlanda-Silva
https://it.wikipedia.org/wiki/Villa_Fiorita_(Brugherio)
https://wikivisually.com/wiki/Villa_Fiorita%2C_Brugherio
https://it.wikipedia.org/wiki/Giovanni_Filippo_Gallarati_Scotti
c/c https://archive.li/CXNi2
Giovanni Filippo Gallarati Scotti (Milano, 25 febbraio 1747 – Orvieto, 6 ottobre 1819) è stato un cardinale e arcivescovo cattolico italiano.
Biografia
Giovanni Filippo Gallarati Scotti nacque a Milano il 25 febbraio 1747 da una delle principali famiglie del patriziato milanese, figlio di Giovanni Battista Gallarati Scotti e di sua moglie, Maria Teresa Spinola. L'11 settembre 1754 ottenne le insegne clericali.
Dopo aver compiuto gli studi presso l'Università di Pavia ove si laureò in utroque iure nel 1773, ottenne di essere ammesso al Collegio dei Nobili di Milano assieme al fratello Francesco, futuro noto giurista, collaboratore di Cesare Beccaria.
Prima ancora di terminare i propri studi, il 17 febbraio 1770 venne nominato vicelegato in Romagna, ove rimase sino all'aprile del 1776, il 6 febbraio 1769 divenne referendario del tribunale della Segnatura Apostolica, divenendo anche poi relatore presso la Sacra Consulta per gli affari ecclesiastici. Nel 1785 divenne inquisitore generale a Malta.
Ordinato sacerdote il 12 agosto 1792, il 24 settembre di quello stesso anno venne ordinato Arcivescovo alla sede titolare di Side, e consacrato il 17 marzo dell'anno successivo nella Chiesa romana di San Carlo al Corso per mano del Cardinale Luigi Valenti Gonzaga, Prefetto dell'economato della Sacra Consulta a Propaganda Fide, assistito da Carlo Crivelli, Arcivescovo titolare di Patrasso, Prefetto dell'Archivio vaticano, e da Antonio Felice Zondadari, Arcivescovo titolare di Adana e Nunzio Apostolico in Belgio. Ebbe qui inizio la carriera diplomatica di Giovanni Filippo Gallarati Scotti, il quale il 23 agosto 1793 divenne Nunzio Apostolico nel Granducato di Toscana, ove rimase sino al 3 ottobre 1795, per poi essere trasferito dal 18 agosto di quell'anno alla nunziatura presso la Repubblica di Venezia ove rimase sino alla caduta del governo repubblicano nel 1797.
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10. Saint Lucius, Brugherio –
Saint Lucius in Brugherio, Italy, is a small church dedicated to Saint
Lucius in the grounds of the Villa Sormani. First located in Lugano,
Switzerland, where it was a Franciscan chapel, pope Luciuss shrine had
been designed by Tommaso Rodari, an architect influenced by Bramantes
style in Lombardy, or by Bramante himself. Built in Lugano, Switzerland,
from 1520 to 1542 as Anthony of Paduas chapel and it is clear that the
building was initially located in the Swiss city as evidenced by Giulio
Pocobellis inscription of 1813 and by Luganos depiction from the 17th
century. Impressed by the beauty, he managed to prevent its demolition
by his brother Natale who had planned to use its materials. Albertolli
owed his success to its purchase by Gian Mario Andreani, the brother
Count Paolo Andreani and he asked Albertolli to bring the church close
to the Villa in Moncucco. In order to transport the chapel from Lugano
to Moncucco, Albertolli developed an extremely risky and he first
disassembled it, then he rebuilt it near count Gian Marios Villa
Sormani. After it had been dismantled, he had the pieces shipped over
Lake Lugano, the pieces travelled over ten kilometers through the
Naviglio della Martesana arriving at the river port of Mattalino Bridge,
where they were unloaded near Count Andreanis property. The work took
17 years, from 1815–16 until after 1832, Anthony of Paduas chapel, by
then detached from the monastery, acquired its new designation, becoming
a little church which was dedicated to Saint Lucius. Gian Mario did not
see the work completed as he died in 1830, the chapel was then included
as a piece of property under the Villa Sormani. It was first owned by
Gian Marios cousin, Count Sormani, thereafter, at the end of the 19th
century, Umberto I and Margherita of Savoy attended mass in the chapel.
In 1994, it was reopened in the presence of the authorities of both
cities, owing to a cultural relationship between them. Unlike the
original building, after its relocation and reconstruction the churchs
exterior was decorated, the building, with a quadrangular layout, stands
on a high base, a wide stairway leading up to the Neoclassical
tetrastyle entrance, on the opposite side, there is a sacristy. These
additions were needed to compensate for the absence of the complex to
which the chapel was attached. The facade is marked by ionic pillars
that support the triangular tympanum on a cornice bearing an attic,
furthermore, the chapel is crowned by a circular tambour and a
hemispherical dome. The interior is the same as it used to be in Lugano,
consisting of a combination of sacred, on one side there are 24 medals
depicting saints while on the other side can be found mythological
decorations. Of special note is the bas-relief Cristo in pietà at the
top of the dome, finally, placed on a parapet, the altar is decorated
with paintings of the four evangelists on the sides of the tabernacle,
which is surmounted by a portrait of Saint Lucius. Cenni storici sovra
una capella antica ricostruita in oratorio a Moncucco nella provincia di
Milano, il tempietto di SantAntonio da Padova a Lugano. Brugherio,
percorsi tra storia e arte, cazzaniga, Giovanni, Valli, Laura, Vercesi,
Ermanno
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